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| | ARTIST NAME: | Esler, Annemarie Schmid | | ACCESSION NUMBER: | 1991.115.001 | | TITLE: | SOFT SOUNDS OF NOVEMBER | | DATE: | 1978 | | CATEGORY: | Sculpture | | MEDIUM: | low fired clay
shell
screw, washer | | DIMENSIONS: | Actual: 11.4 x 23.3 x 23.1 cm (4 1/2 x 9 3/16 x 9 1/8 in.) | | COLLECTION: | Alberta Foundation for the Arts |
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| | OTHER HOLDINGS: | Esler, Annemarie Schmid | | ARTIST BIOGRAPHICAL SKETCH: |
The daughter of German immigrants, Annemarie Schmid Esler was born in Winnipeg, Manitoba. She had an interest in art from an early age, attending Saturday classes at the Winnipeg Art School, but studied sociology at university. She received her Bachelor of Arts from the University of Manitoba in 1959, and travelled in Europe for a year before enrolling at the University of Munich for additional courses in sociology. Returning to Canada in 1961, she worked for a year as a social worker and in 1962 enrolled at the Winnipeg College of Art in the ceramics program. In 1968, she completed a degree in ceramic sculpture at the Alberta College of Art.
Her work expressed a highly developed knowledge of ceramic technique, and she utilized a variety of tools, including pencils, airbrushes, stencils, decals and photo-transfer to create her often humorous and ironic ceramic sculptures. She was interested in the opposing approaches of Modernist and Post-Modernist art, and also had a strong preoccupation with American blues music which, with its focus on themes of isolation and concern about the social condition, she saw as presenting an affinity with her own art.
Annemarie Schmid Esler's work was exhibited widely throughout Canada, the US, and Europe. A highly-regarded instructor and lecturer, she received several major grants and awards, and her sculptures are included in over two dozen public collections.
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